Sometimes there comes along a book, like Carrie Soto is Back, that addresses such a specific set of issues and questions, that it makes you wonder why you’d never thought of it in detail before. Questions like: Why is it okay for a man in the public eye to be aggressive but not for a woman? Why is it okay for a man to be unsmiling and intense but when a woman does it, she’s labeled a b*tch? Why is it that an ambitious man is seen as just that but an ambitious woman becomes callous and unfeeling in the eyes of the public? And this sexism is turned around and slapped back onto the woman’s shoulders, calling it her overreaction, that she can’t take a joke.
Carrie Soto is Back is a smack in all these faces. Taylor Jenkins Reid, through Carrie Soto’s story, takes us through the unfairness that the world pulls out every time a woman takes center stage. And it is proof, yet again, that even though things have gotten a lot better, we still have a long way to go.
The Melodramatic Bookworm 